Looking the most relaxed and displaying a warmth rarely seen in the public eye Ralph Fiennes talked to Radio 4's Mark Lawson about his directorial film debut Coriolanus during a National Theatre platform event this evening.
Before opening up the questions to the audience Lawson talked to actor about the challenges of not only making and starring in a film but turning Shakespeare play into a film - not immediately a concept that gets film studios salivating. Three clips, chosen by Fiennes were also shown all of which gave a tantalising taster of what audiences can expect when the film opens in cinemas on January 20.
This is a slightly abridged version of the interview:
On his approach to the film:
Wanted to approach the text in a filmic manor making the dialogue conversational dialogue rather than keeping it in verse which is very theatrical and can be alienating.
With everything that has been going on around the world, Arab Spring etc felt the play had many parallels and therefore wanted to give it a modern setting.
Felt strongly that the world of Coriolanus should be multicultural and cast actors from different cultural backgrounds with a variety of accents.
On working as an actor/director
Had people around to give him an honest opinion on his own performance and because the filming process is such a whirlwind didn't get too much time to think about watching himself on the monitor. But it was tougher during the editing process "everything felt very exposed and I thought everything was shit, especially my own stuff".
Says the acting/directing roles are less defined than people imagine "The geography of where you are in a scene is defined by the camera."
Had a dialect coach who gave a critical view of his performance but if he felt something was right in a scene would encourage it.
"Often it is collaborative between actors and director and the collaborative experiences are the best. For example working with Anthony Minghella never felt a strong finger suggesting what you'd done was wrong. Directing is about managing."
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